Played last night at Bimbos in San Francisco. We had a lot of anticipation for this show since last time we played Bimbos in January we had an amazing show. But we walked off stage extremely disappointed with ourselves. Somehow it just didn’t fly. Not that we did anything wrong… it just didn’t take off. It’s such a mystery sometimes what makes a show come together or not. I hope the audience had a good night nevertheless.
I did a little interview with music journalist Tom Lanham who came to see the show and has followed us and interviewed us since the very beginning when we released our first mine album “Whip It On”. Here’s what he had to say.
Sharin: You have known us since the beginning Tom. What has been your favorite rave live moment ever?
Tom: Is there such a thing as a ‘Favorite Raveonettes live moment’? That’s tough to answer, because the shows just keep getting better and better, sleeker and more sophisticated. But it’s always a delight to see the band strip back down to a duo again and hit the road, DIY style, as on that recent self-booked tour. It’s a sign to every young group out there that you don’t NEED a huge backing group behind you, or a monstrous major-label hype machine, to just get out there and present your songs, bare-bones, to the public, with maybe only a computer and/or a drum machine for support. The way they did it back in the punk rock ’70s.
Sharin: What was the highlight of last nights concert?
Tom: The highlight of last night’s concert — or this current tour set in general — was simply this: ALL OF IT. The most interesting facet of the Raveonettes (and it’s been a delight to watch evolve) is your dogmatic refusal to take the easy, paint-by-numbers route in concert. You could easily (heartbreak) stroll out and give the folks “Dead Sound,” “Last Dance,” “Love In A Trash Can,” 1,2, 3, A, B, C — run through a pedestrian reading of all the expected hits. Instead, those three songs were scattered like hidden treasures throughout a more challenging set full of rarities, oldies, and unexpected catalog gems that really made the crowd THINK. And it’s fun to see the audience reactions — the poseurs, who are only there because they maybe heard one Raves track on satellite radio one lazy afternoon and want to impress their date for the evening by attending a quantifiably ‘cool show,’ start shifting uncomfortably in their seats, or from one foot to the other, as you pummel them with complex songs they just don’t know, OR understand. This ends in only two outcomes: A) Totally confused, they leave early, or B) Totally won over, they stay till the white-noise finale and leave determined to pick up your entire brilliant catalog as soon as possible. But for the true fans, the gigs are like manna from heaven — they squeal with giddy excitement at the first chords of each obscure number, and immediately begin singing, dancing along. And that’s just the GUYS! But this is the JOB of any true artist — to challenge their followers, after challenging themselves, creatively, first.
Sharin: What was the low point of the show? Did it translate that we had a terrible show on stage?
Tom: Were there low points at a concert like this? How COULD there be? And if the band was having a tough time pulling it off, nobody watching seemed to notice. Or care.
Sharin: What would you like to see coming from the raveonettes next? What is yet to be done?
Tom: So what could possibly be next for the group? With “In And Out Of Control,” the band has finally defined its style, to the point where you can proudly refer to the music as ‘that Raveonettes sound.’ In the past, certain songs would bear traces of influence X, Y or Z — Phil Spector, girl groups, surf records, rockabilly, vintage Jesus & Mary Chain. Now, it’s all blended into one sugary confection that’s simultaneously retro, revivalist, nouveau, contemporary, and totally, completely Raveonettes. It’s a springboard from which to launch any and all future projects, which could run the gamut from, say, an all-orchestral experiment to an entire album of Southwestern trail songs, a la Marty Robbins. And they could be labeled as such: ‘The Raveonettes present R&B classics for your listening pleasure!’ The possibilities are truly endless. Maybe even a pared-down acoustic-duo disc, like those DIY concerts.
Sharin: We always get this question and it’s impossible for us to answer, but perhaps you can do it: for people that don’t know the raveonettes, can you describe the sound and the music?
Tom: How to describe the sound? F*** yeah, I just DID! Idiots and poseurs need not apply.



Soundcheck at Bimbos
Photo Credit: Mike Zagaris